He tells us:
Often referred to as “The Shaman” or “The Sorceror,” my tattoo is based on a sketch by Henri Breuil of a cave painting from a cavern in Trois-Frères, Ariège, France. Breuil, a French archeologist, claimed that the drawing/etching represented a Paleolithic shaman, a kind of happy hunting juju. I’ve always been intrigued by this particular image---I remember seeing a picture of it when I was fairly young, probably in some Time-Life book about cave art or something. For me, it represents a connection to our not-so-distant Paleolithic past and I do hunt, so maybe some of its juju will rub off. I have several other cave art tattoos, so it’s also part of an ongoing theme on my body. There’s something very visceral and ancient about it. There is also the question: why did they make this art?
The tattoo was done by Riley Baxter at Pussykat Tattoo in Las Vegas.
The poem that Christopher sent us keeps with the Paleothic theme:
Considering the fossils
once sap 
now combustible 
stone
once called electron 
carved petrified sun 
once mixed
with rose-oil 
for failing eyes
now eyes 
warm to the touch
burned as incense
burning to remember
and when you dig 
it is hard to believe 
the stone 
was once wood
its rings now ring
with a finger's flick
no longer 
ligneous 
bark and cambium 
visible 
in cross-section
how to believe 
that gingko leaves 
leave behind 
fan-shapes
veins and chloroplasts 
almost intact 
no xylem 
left after rain 
and pressure 
and layers 
and layers 
of sand and relentless 
lithography
~ ~ ~ 
Thanks to Christopher for sharing his tattoo and poem with us here on Tattoosday's Tattooed Poets Project!
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